Jeff Lynne is the mind behind ELO. His goal was simple but ambitious: to continue where The Beatles left off. He combined pop and rock with classical instruments like cellos and violins.
The result is a futuristic, spatial sound full of perfect melodies, vocoders and harmonies. It's bombastic pop music with a smile and a hint of science fiction.
These are the ten best songs by Electric Light Orchestra.
Cast your vote - the ranking shifts live based on the votes.
Mr. Blue Sky
This is the Bohemian Rhapsody of ELO. It's full of tempo changes, vocoders, choirs and even a fire extinguisher used as an instrument. It celebrates the end of a long, gray period and the arrival of the sun. It's a symphony of joy. When the choir comes in at the end, it's impossible not to be happy. A masterpiece of pop perfection.
Don't Bring Me Down
The first ELO song without strings. It's a stomping rock track with a heavy drum loop (which has since been sampled frequently). Jeff Lynne sings with a tough, lower voice. The scream "Groos!" (a made-up word) is often misheard as "Bruce". It's powerful, simple and irresistible cool.
Unpopular opinion: the verses on Don't Bring Me Down are pretty mid, only the chorus is catchy.
Livin' Thing
That violin intro is instantly recognizable. The song has a Spanish flair in the verses and a grand, sweeping chorus. The lyrics are mysterious (is it about love, abortion or just life?), but the emotion is clear. "It's a livin' thing, it's a terrible thing to lose." It's dramatic, sweeping and beautifully produced.
Honestly unreal vocals.
Evil Woman
Driven by one of the tastiest piano riffs of the seventies. It's funky, soulful and catchy. The backup singers give it a Motown vibe. The lyrics are a warning about a bad woman (with a wink: "Ha ha, woman, it's good to be a know-it-all"). The song was written surprisingly quickly, but became one of their biggest and most timeless hits.
Can never hit skip when Evil Woman comes on shuffle, impossible not to sing along.
Turn to Stone
Fast, frantic and full of layers. The vocal delivery in the verses is blisteringly fast spoken/sung. It sounds like a musical roller coaster. It's about lovesickness that paralyzes you ("turn to stone"). The synthesizers and strings tumble over each other. It's a production highlight that bursts with energy and despair.
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Telephone Line
The song begins with the sound of a ringing telephone (American tone). Jeff sings through a filter, as if he's really on the phone. It's about the loneliness of calling someone who doesn't answer, or no longer exists. The transition to 'normal' sound in the chorus is a moment of pure emotion.
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Sweet Talkin' Woman
A perfect pop song with a classic ELO ingredient: the vocoder singing the title. The chorus is an explosion of harmonies. It's about searching for a woman who left him. Despite the sad subject, the music is energetic and upbeat. The strings add a dramatic, almost operatic effect.
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All Over the World
From the soundtrack of the film Xanadu. It's a cheerful, uptempo pop song that bursts with zest for life. The cities mentioned give it an international feel. The production is smooth and shiny. It sounds like a sunny day in an amusement park. A song that radiates pure positivity and invites you to dance.
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Can't Get It Out of My Head
One of their most beautiful dream ballads. It starts soft and builds up to a grand, rolling chorus that sounds like the sea. Jeff Lynne sings about an idealized woman he saw in a dream or vision. The strings are lush and romantic. It's a song to drift away to, soft and comforting.
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Last Train to London
ELO's foray into disco. The beat is tight and funky, the bass line pumps. It captures the atmosphere of nightlife in the late seventies. It's about saying goodbye after a night out. The train sounds in the rhythm and the futuristic synths make it typically ELO. A danceable song with a melancholic edge.
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This is the Bohemian Rhapsody of ELO Set the gold standard for the whole genre.
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