Top 10 Best Songs by Billie Eilish

Billie Eilish is the voice of Generation Z. Together with her brother Finneas, she created a new sound: minimalist, whispering pop with heavy sub-basses and ASMR influences.

Her lyrics are dark, honest, and sometimes creepy, but always authentic.

She broke all the rules of pop music by not shouting, but whispering. Her music is intimate, as if she's singing directly in your ear, and addresses themes like depression, nightmares, and body image without filters.

Posted by Lisa · 11 votes · October 11, 2025

Cast your vote - the ranking shifts live based on the votes.

#1

What Was I Made For?

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Made for the Barbie film, but grown into an existential hymn. Just piano and a voice so fragile it nearly evaporates. The lyrics touch the heart of searching for meaning.

The melody is simple and timeless. Billie sings with a breathtaking control in the high notes. The song moved millions worldwide because it captures the universal uncertainty of being human (and female).

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cloud9

<p>Made for the <em>Barbie</em> film, but grown into an existential hymn Hard to argue with #1 on this list.

#2

Happier Than Ever

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A song in two parts. It begins as a soft, vintage jazz ballad with ukulele, where she calmly addresses her ex. Halfway through it explodes into a grungy rock opera.

The transition is cathartic. Billie screams her anger against a wall of distorted guitars. It's one of the most powerful breakup songs in recent years.

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sarahj

Skipped Happier Than Ever every single time I listened to this record.

#3

Bad Guy

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The worldwide hit with the irresistible bass line. It's minimalist, funny, and bold. Billie plays with the idea of the "tough guy" and flips the roles.

The whispering, the finger snapping, and the "Duh!" make it instantly recognizable. The outro, which suddenly slows down and gets heavy, is a brilliant twist. A pop culture phenomenon.

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Brian81

Honestly that guitar solo 🔥

#4

No Time To Die

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The James Bond song that earned her an Oscar. It begins small and intimate, typical Billie, but builds to an orchestral climax with Hans Zimmer grandeur.

The Johnny Marr guitar gives it that classic Bond feel. Billie shows here that she can sing with volume. It's stylish, dramatic, and perfectly suited to the spy world.

#5

Everything I Wanted

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A house-like beat with soft piano chords. The song is about her relationship with her brother Finneas and how he protects her from her nightmares and insecurities.

The atmosphere is melancholic but also comforting. The production is muffled, as if you're listening to the song underwater. An ode to unconditional support in a chaotic life.

#6

Bury a Friend

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Here she embraces her role as "monster under the bed." The beat is industrial, bare, and scary. Sound effects like drills and breaking glass are part of the rhythm.

It's dark, rhythmic, and weird. "I wanna end me." Billie whispers and raps in a way that makes your hair stand on end.

#7

Ocean Eyes

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The breakthrough she recorded when she was just 14. It's a dreamy synth-pop track that sounds like drifting on water. Her voice is ethereal and angelic.

The production is soft and spatial. The song radiates an innocence that disappeared in her later work, but the melancholy was already there.

#8

When the Party's Over

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A song that drifts on silence and vocal harmonies. There's barely any instrumentation, just a heavy sub-bass that occasionally makes the foundation vibrate. It's about backing away for your own good.

Billie's voice is crystal clear and full of sadness. The music video with the black tears made it iconic, but the music stands on its own.

#9

Bellyache

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An early song with a deceptively cheerful, acoustic guitar loop. However, the lyrics are dark: she sings from the perspective of a psychopath who just murdered her friends.

The contrast between the light music and the macabre lyrics is typical Billie. The beat that comes in later is deep and muddy. A perfect example of her unique, creepy-cool style.

#10

I Love You

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A fragile ballad consisting mostly of acoustic guitar and ambient sounds (you hear an airplane flying overhead). It's about the unwillingness to fall in love.

The harmonies with Finneas are beautiful and subtle. Billie sounds vulnerable and close. It's one of her purest songs, stripped of all production tricks.

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