Elvis Presley combined white country with black rhythm-and-blues into something completely new and dangerous.
His voice was an instrument of unlimited possibilities: he could growl like a tiger, but also soothe with a deep, warm baritone. From the raw energy of the 1950s to the bombastic shows in Las Vegas; Elvis remained the undisputed King.
These are the ten best Elvis Presley songs.
Cast your vote - the ranking shifts live based on the votes.
Suspicious Minds
Suspicious Minds marked his creative comeback. The production is rich, soulful and vibrant, with brass, guitars and a gospel choir that strengthens the emotion. Striking is the tempo change in the bridge, which underscores the doubt in the lyrics. The famous fade-out and fade-in at the end symbolizes the circular reasoning of a relationship from which escape seems impossible.
My Way (Live)
Frank Sinatra made the song famous, but Elvis gave it a bombastic charge in his live performances that perfectly suited his life. The accompaniment of his full Vegas band, including tearing brass and an orchestra, builds toward a grand finale. It sounds like a musical testament of a man who has seen it all, sung with unprecedented bravado and power.
Massive radio hit, but definitely not their best songwriting. (7)
In the Ghetto
A song with serious social criticism, which was unusual for Elvis. The production is masterfully restrained, with a simple acoustic guitar and subtle bass line. The strings and background vocals swell only later, building tension. Elvis sings quietly and narrative, without vocal acrobatics, so the tragic story of the cycle of poverty hits hard.
Honestly classic.
Love Me Tender
At a time of wild hip movements, Elvis showed here how vulnerable he could be. It is a sparse folk ballad with a melody from the American Civil War. The only accompaniment is a simple acoustic guitar and soft background vocals. The simplicity of the recording ensures that focus is entirely on the purity and tone of his voice. Innocent and timeless beautiful.
The drum fill right before the chorus in Love Me Tender is pure genius.
If I Can Dream
Perhaps his most impassioned vocal performance ever. Written in response to the murders of Martin Luther King and Robert Kennedy, this song is soaked with gospel and pain. The vocals are intense and full of surrender, almost screaming with emotion and longing for a better world. The orchestration is grand and dramatic, fitting the heavy message. Elvis sings here not as an entertainer, but as a preacher.
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Jailhouse Rock
This is rock-and-roll in its purest form. It opens with two quick snare shots followed by a stop; an aggressive pattern that continues throughout the entire song. The guitar plays a sharp, rhythmic role. Elvis' vocals are here at their rawest and most playful. He glides, screams and almost laughs through the lyrics, with a rebellious energy that was unprecedented at the time.
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Can't Help Falling in Love
Based on a classic French melody, this is the ultimate epitome of the romantic crooner style. The instrumentation is soft and cradling, like the sea, with an arpeggio on the piano and a slide guitar in the background. The vocals are deep, controlled and full of warmth. It is a moment of pure intimacy, where Elvis sounds like he's singing it specially for you.
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Burning Love
One of his last big rock hits and an explosion of energy. The song is driven by an irresistible guitar riff and a tight drum beat that forces you to move. The piano beats rhythmically along, while the background vocals (with a strong gospel influence) push Elvis toward an energetic finish. In the finale he goes completely vocal; you hear the pure pleasure of the performance.
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Always on My Mind
An emotional plea where Elvis' voice takes center stage. The production is typical of his 1970s period: rich in strings and piano, but at a slow pace that leaves all the space for the vocals. He sings with audible remorse about missed opportunities in love. The way he holds the notes and plays with the phrasing makes the pain of the separation almost tangible.
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Heartbreak Hotel
The song that changed the world still sounds strikingly bare, somber and ghostly. The echo on his voice is heavily applied, making it sound like he's singing from an abandoned hallway. The accompaniment is minimal: a stuttering bass line that sounds like a broken heart, sparse piano and minimal drums. It creates an oppressive, bluesy atmosphere full of loneliness.
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Still mind-blowing to think about: suspicious Minds marked his creative comeback.
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